chat, starring Rosalie Edholm as a camgirl sex. Are you lying in the interior of a coffin you never wouldve chosen? Passersby stop briefly to puzzle over the window display, which features one of the gorgeous colored-glass headstones that comprise 90 percent of Lundgrens business. In the end, all this talk about how we deal with death is really about how we conduct our lives. Urns by Lundgren Monuments made from wood and Legos. Greg Lundgren is a, seattle -based artist, author, filmmaker and entrepreneur. Theyre the Walmart of death, Lundgren says. But he also stresses that revolutionizing death care isnt just for the rich.
Greg Lundgren is a, seattle -based artist, designer and curator with a diverse background in architectural design, sculpture, furniture and installation art.
Greg Lundgren, however, would like you to think a bit harder about being dead.
The First Hill-based co-owner of two arty.
Seattle bars (The Hideout and Vitos) and public art provocateur via his ongoing project Vital 5 Productions, Lundgren, 42, is also in the business of death, designing cemetery monuments, cremation urns and memorials.
The Stranger's art critic, Emily Hall, said Lundgren was tapped for the Genius Award thanks to his ability to gather otherwise solitary individuals into an audience and "cheerfully upset some pretty deeply held notions about art and the art world." He's working on a few. "It's less intimating than.A. It still will be worth seeing for the set design, which exists on the radical edge of outrageous. After failing to secure a gallery, he decided to make a performance of his rejection. He's in it for the dough. Self-defense gets her off, and then she does it again. By 1994, he was ready to head home, especially because home had acquired a certain cache. That leaves visual art. A few weeks later, the camera came back with two images on the inside roll. "Not defunct he said, pointing out it still exists on the Web - m - and will be returning as soon as he finds a new address, preferably in the industrial end. Greg, lundgren turns rejection into a way of art 1 / 1, back to Gallery, when.